
“Yayoi Kusama’s first permanent public artwork in the UK and her largest public sculpture in the world has been unveiled today. Infinite Accumulation is a new, site-specific work at London’s Liverpool Street station in which Kusama develops one of the most recognisable motifs of her visual language: the polka dot. Here, the dot is expanded into linked forms that interact with and define the public spaces outside the station.
Infinite Accumulation reaches over 10 meters high and 12 meters wide and covers an area of approximately 100 meters in length. Its gleaming silver spheres soar above the ground and are highly polished to reflect everything around them.
‘London is a massive metropolis with people of all cultures moving constantly. The spheres symbolise unique personalities while the supporting curvilinear lines allow us to imagine an underpinning social structure.’ — Yayoi Kusama
Commissioned as part of The Crossrail Art Foundation’s public art programme for the Elizabeth line with the support of Victoria Miro, co-funded by British Land and the City of London Corporation”.
(as always do the clicking on an image thing to see the whole image or run the slide show – Photos: Thierry Bal)







You can of course still see Yayoi Kusama’s rather large Pumpkin at the Serpentine until 3rd November 2024 at The Round Pond, Kensington Gardens, London
“Known for her immersive installations, large-scale sculptures and intricate paintings, Yayoi Kusama often features kabocha, or pumpkin, in her work. Since 1946 Kusama’s pumpkins have taken many forms, colours and shapes, but they are always covered in the artist’s signature polka dot pattern.
Kusama’s relationship to the kabocha is rooted in her childhood – the artist’s family cultivated the plant’s seeds and their home was surrounded by fields of this squash. Pumpkins frequently appear as stand-ins for self-portraits. Kusama admires them for their everyday quality, hardiness and unique, frequently humorous forms. She has said ‘Pumpkins have been a great comfort to me since my childhood. They speak to me of the joy of living. They are humble and amusing at the same time, and I have and always will celebrate them in my art.’
The artist’s sculptures have been installed in museums and galleries around the world, and various outdoor spaces, including parks, gardens and at the seaside. Since 1994, a yellow and black pumpkin is permanently on display at the Benesse Art Site Naoshima – an island in Japan’s inland sea dedicated to displaying art within nature.
Pumpkin (2024) is Kusama’s tallest bronze pumpkin sculpture to date, standing at 6 metres tall and 5.5 metres in diameter. The work, installed by the Round Pond, in Kensington Gardens, offers a wide range of viewpoints and is in dialogue with the surrounding environment”.





