gryphon_unionchapel_flyeGryphon are on tour, this is a very very good thing, Gryphon are gloriously beautiful, they’re like Bagpuss or strawberry jam on toast, they’re like every good thing from back there when all was good, pipe organs and tank engines and crumhorn-wielding and jousting and as cool as f. And tomorrow is the final night of their rather unexpected current tour – It has been a long time coming and so it is with enormous pleasure that we announce the Gryphon “None the Wiser” tour. – Gryphon bring their unique blend of English prog, refined folk and mediaeval warmth to London’s Union Chappel

Gryphon is the oldest and the newest thing – a legendary British band that’s as exhilarating, energetic, unpredictable and addictive now as it was when the band last toured, in the 1970s. At that time, no-one could pigeonhole Gryphon. The band appeared on BBC Radios 1, 2, 3 and 4, all in the same week. They appeared with Yes at Madison Square Garden and Houston Astrodome, played festivals, folk clubs and cathedrals. They wrote the music for Sir Peter Hall’s National Theatre production of The Tempest at the Old Vic and subsequently became the first Band to ever play in this prestigious venue. Now Gryphon is back, reinvented and mixing old and new material. The virtuoso musicianship and composing flair that marked the band out in the ‘70s has been pushed even further.

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Members of Gryphon have worked with Musica Reservata, Paul McCartney The Royal Philharmonic Orchestra and Kate Bush, John Williams and the other John Williams, Elvis Costello, Home Service, Hans Zimmer, Desmond Dekker, David Byrne, The Albion Band, the Royal Choral Society to name but a few. New recruit and old friend Graham Preskett has played with everyone from Van Morrison to Cher, arranged the strings for Gerry Rafferty’s Baker Street, and contributed mandolin to Captain Corelli’s Mandolin, tango violin to Moulin Rouge and harmonica to Thelma and Louise.

Individually or in combination, the members of Gryphon have been involved in mediaeval mummers plays and the Cambridge Footlights, led the pit orchestra for West End theatre hits like Anything Goes and performed at events ranging from Glastonbury, Cambridge and Cropredy to major cultural festivals in Europe. They have written concertos for guitar, viola and recorder and scored countless films and television series. Guitarist Graeme Taylor is currently M.D for the smash-hit West End production of War Horse, and was also M.D for The National Theatre’s revival of The Mysteries. Brian Gulland – the wild-eyed, wild-haired, crumhorn-wielding warrior-wizard whose iconic presence seemed to define the band – moved to France for a stint with Malicorne before returning to his UK roots as a member of the much-loved New Scorpion Band.

Gryphon’s music? It’s just as it always was – odd, different, good-humouredly dazzling and acoustic, with crumhorns and bassoon alongside guitars, keyboards and imaginative percussion, played by singer Dave Oberle. Every gig involves roughly 40 instruments, so the textures can be pretty varied and unfamiliar.

Gryphon, as ever, is the antidote to genres. Whatever you expect, you’ll get something different, surprising, and exciting. Whatever you get, it’ll make you wonder why these guys have left it so late to crank up the engines and get out on the road again. But, believe me, it’ll always be worth the wait.

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– See more via the Union Chapel site

 

2 responses to “ORGAN PREVIEW: Gryphon – crumhorn-wielding at the Union Chapel”

  1. Reblogged this on Misfit City and commented:
    I’m really out of the loop – I didn’t even know that Gryphon were playing, let alone touring. If I’d known, I’d have blogged about it earlier (and perhaps saved up for a ticket).

    Gryphon are a wonderful band – a serious-minded but no-bullshit bassoon-and-crumhorn-toting electric folk/prog oddity with a perfect and elegant focus. They seemed to come about almost by accident in the early ’70s, as if a group of matter-of-fact mediaeval music scholars had suddenly been caught up on a lolling tongue of rock and taken off for a ride for a few years. I’ve not seen them play since 2009, when after thirty-one years they finally put on a reunion at the Queen Elizabeth Hall. In a lone concession to rock theatre, reed player Brian Gulland turned up in a Wild Man of Borneo barnet and matching beard, and had the latter shaved off with a straight razor during the encore. Otherwise it was a straight demonstration that it was Gryphon’s music which had always mattered – inclusive, always choosing the deft path over the clotted, as clear as a bell and never overblown. They promised us a new album, but went quiet about that very quickly: at least they’re still up for playing.

    If you’ve not already committed to something else for tomorrow’s London evening (and I know I’ve already pitched you two other options in the past week) do go along, but don’t just take my word for it. Here’s Organ’s typically gonzo-rapturous take on the band and the tour. I couldn’t agree with them more.

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