R.I.P Experimental musician NASH THE SLASH, So long and thanks for all the fish…

 

nashtheslash

“So Long and Thanks for all the Fish”

Ah, just heard that Nash The Slash has passed away.

Damn shame, always though the Canadian was a bit of an underrated genius, both as a rather experimental solo artist and as part of 70’s progressive rock band FM (not to be confused with the awful English band of the same name).

“Nash the Slash, the Toronto-born experimental rocker whose signature on-stage wardrobe included surgical bandages, has died. He was 66.  His long-time collaborator and friend, Robert Vanderhorst, posted the sad news on Monday on his Facebook page.

“My dear friend and artistic partner, NASH THE SLASH (Jeff Plewman) died this past weekend. March 1948 – May 2014,”

Further reading –  Toronto experimental musician Nash the Slash dies at age 66

Best know as solo artist over here in the UK where he built a small cult following after being picked up on by Gary Numan at the start of the 80’s (there was a rumour that it was Gary Numan at one point, there were all kinds of rumours about who might be behind the bandages), Here’s a taste of Nash The Slash…

 

Here’s what CBC News in Toronto had to say…

Jeff Plewman, the musician behind the experimental rock persona Nash the Slash and the band FM, has died at age 66.

Nash the Slash was a mainstay in Toronto live music clubs throughout the 1970s and 1980s. He was known internationally after a world tour with Gary Numan and Iggy Pop and had opened up for the Who. Before performing as Nash the Slash, Plewman played in the prog-rock band FM in the 1970s.

Two of his longtime friends and colleagues confirmed Plewman’s passing to CBC, though details are sparse.

Nash the Slash appeared on stage in a black tuxedo, top hat, dark sunglasses and wrapped in bandages. It would become his signature look. His bandaged appearance from 1979 onward prompted many questions about his mysterious identity.

He started the independent record label Cut-Throat Records, which he used to release his own music. Among his albums was Decomposing, which he claimed could be listened to at any speed, and Bedside Companion, which he said was the first record out of Toronto to use a drum machine.

His biggest hit was Dead Man’s Curve, a cover of a Jan and Dean song.

More recently, he played at Toronto’s Pride Festival and toured up until 2012. In 1997 Cut-Throat released a CD compilation of Nash the Slash’s first two recordings entitled Blind Windows. In 1999 he released Thrash. In April 2001, Nash released his score to the silent film classic Nosferatu.

Plewman retired in 2012, bemoaning file-sharing online and encouraging artists to be more independent. “It’s time to roll up the bandages,” he wrote.

In the last few years, Plewman also became a vocal supporter of Toronto Mayor Rob Ford.

He will be remembered for his experimental ethos as well as his unusual stage presence.

“I refused to be slick and artificial,” Plewman wrote of his own career.

There has not been word on how the musician died. (CBC News, Toronto) 

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