ORGAN THING: A deliciously fresh slice from dark avant-garde prog band Kayo Dot ahead of a new album…

Organ Thing of the Day: This just in from Kayo Dot’s Toby Driver, “This year, 2021, is the 20th anniversary of the landmark double-album “Bath” and “Leaving Your Body Map,” and the 25th anniversary of the foundation of my former band, Maudlin of the Well. Before the pandemic hit, we had been discussing doing some anniversary events, including concerts and even a new album. Sadly, Covid put a damper on those plans. The pandemic also helped to prevent the “Blasphemy” line-up from getting together and working on anything. However, this cosmic confluence of circumstances led to the opportunity to produce a true original MOTW anniversary of sorts.


This new album is constructed in the same way that we made the very first MOTW tape, “Through Languid Veins,” back in 1996. Created In Connecticut, with Jason Byron, and  the lead guitar of Greg Massi, my collaborator from the MOTW days and with whom Kayo Dot fans are familiar from his playing on Choirs of the Eye and Dowsing Anemone. This album is Kayo Dot in name, but the original spirit of MOTW walks hand-in-hand with it.

Today we’re releasing the single “Void In Virgo (The Nature of Sacrifice)” accompanied by an astonishing video created by Nick Hudson and a gorgeous new band bio by Ana Cristina Pérez. The album was recorded and produced by me, and the cover artwork was painted by me in oils over the winter months. I’m grateful for the time afforded by the pandemic and for the energy of my collaborators Please enjoy “Void In Virgo” loudly, and I look forward to sharing more exciting updates about this with you soon”.

“Death, whether in stealth or striking upon its bell, stalks us from the womb onward. The life of the ascetic and the life of the voluptuary are one life, and will dissolve with the drunkard and the saint”, writes Jason Byron, whose words are a primary force of the creation of the musical universe charted by KAYO DOT mastermind Toby Driver.

The stark frailty of the human condition is the overall theme running through the veins of KAYO DOT’s 10th regular studio album “Moss Grew on the Swords and Plowshares Alike”. In the sprawling, churning musical multiverse of mainly multi-instrumentalist Toby Driver’s creation that has never accepted nor cared for any artificial borders of genre and incorporated for example rock, metal, classical music, goth, indie, pop, and jazzy structures, this avant-garde album appears to tilt towards a more harsh as well as heavy approach than on some of the previous recordings – and considering its dark and melancholic undertones may be given the epithet doom.

The human experience of a finite life probably gave birth to the linear monotheist concept of a universe that is created and expiring. The pagan mind often has a deeper looking cyclic vision as exemplified in Nordic myth, in which the world inevitably perishing in the fires of Ragnarok will be born renewed on the next day. Something of the latter’s appears to have infected “Moss Grew on the Swords and Plowshares Alike”. This album has been recorded with the original line-up of Toby Driver’s previous band MAUDLIN OF THE WELL. He also recorded the new tracks in the same location as the very first MAUDLIN OF THE WELL tape. In a way, KAYO DOT are celebrating the 20th anniversary of the release of the landmark double album “Bath/Leaving Your Body Map” and the 25 years since MAUDLIN OF THE WELL’s inception with “Moss Covered the Swords and Plowshares Alike”.

After the split of much loved MAUDLIN OF THE WELL, charismatic frontman Toby Driver formed the avant-garde music project KAYO DOT as a new outlet for his burgeoning creativity in 2003. The multi-instrumentalist and singer remains the only absolute constant in this band, although there are frequent lyrical contributions from his former band-mate Jason Byron throughout the extensive discography. In the following 18 years, KAYO DOT released an impressive number of full-lengths, EPs, splits, and live recordings that are all marked by considerable stylistic differences and a wide array of instrumentation that included guitars, bass, drums, vibraphone, violin, synthesizers, flutes, clarinets and saxophone.

With “Moss Grew on the Swords and Plowshares Alike”, KAYO DOT deliver another beautiful and essential facet of their complex musical multiverse, although the album can easily stand on its own as a most impressive piece of dark avant-garde metal” .

“Moss Grew on the Swords and Plowshares Alike” is available as 180g ash grey gatefold 2-vinyl, 180g black gatefold 2-vinyl, and on CD. – Official on-line shop

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