Organ Thing of The Day: One last delicious slice of that new Cosey Fanni Tutti album, Delia Derbyshire: The Myths and the Legendary Tapes, her original soundtrack recordings for Caroline Catz’ acclaimed film about Derbyshire. We have featured tracks from the album a number of times over the last couple of months, the album is out now of course so really, our work is done. Here’s a link to a bag load of links, we don’t need to add our opinions to all the others so we? The reviews for the album have rightly been positive, it is a glowing album…
the press release
In 2018, Cosey Fanni Tutti was commissioned to write the soundtrack to director and actor Caroline Catz’s acclaimed, intimate portrayal of the composer, musician and sonic experimentalist, Delia Derbyshire (1937-2001). Best known for her ground-breaking work on the 1963 Doctor Who theme tune, Derbyshire was instrumental in giving easy access to and rewiring a nation’s attitudes towards electronic music. Working within the often-stifling confines of the BBC Radiophonic Workshop, her experimentalism – which saw her manipulating magnetic tape, found sounds and electronics – is only now being given full credit for the immeasurable impact it has had on the way we hear the world.
The new album includes the audio explorations and experiments that lead Cosey Fanni Tutti to the final soundtrack for Catz’ film. From the 4-minute long ‘Cornet Lament’ to the humorous ‘Snuff Chorus’ (which references Derbyshire’s addiction to snuff), the album is a journey through both Delia and Cosey’s practises, and the research work Fanni Tutti spent researching Derbyshire’s archives (both musical and the more personal ephemera of her life) have helped to create a deep and personal audio world for Catz’s depiction of the artist to inhabit.
Cosey Fanni Tutti explains, “The compositions are inspired by my research of the Delia Derbyshire audio archive, Delia’s original compositional notes and techniques which in combination with my admiration and love of Delia’s work provided a way to integrate her style and approach to music with my own. An alliance of our sensibilities.”
The new album follows the release of Cosey Fanni Tutti’s new book, RE-SISTERS: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti, out now via Faber. The book and the soundtrack recordings are intrinsically linked – Cosey’s research into Derbyshire coincided with her discovery of Margery Kempe and while working on the film, she found herself struck by how Derbyshire, Kempe and Fanni Tutti’s own life experiences felt intertwined. In the book, for the first time, Cosey Fanni Tutti explains her own processes creating music, an invaluable insight into her artistic life.
The music was composed, performed and produced by Cosey at Studio 47 in Norfolk, partly at Twickenham Studio 3 London, with vocals by Cosey Fanni Tutti and Caroline Catz, alongside the voice of Delia Derbyshire.
Musician, artist and author Cosey Fanni Tutti has continually challenged boundaries and conventions for four decades. As a founding member of the hugely influential avant-garde band Throbbing Gristle, as one half of electronic pioneers Chris and Cosey, and as an artist channelling her experience in pornographic modelling and striptease, her work on the margins has come to reshape the mainstream. Her first solo album, Time To Tell (1983) was followed by 2019’s Tutti and her debut book, Art Sex Music, was published in 2017.
Delia Derbyshire: The Myths and the Legendary Tapes is out now on Ultra Clear vinyl, CD and digitally
Like we already said up there, here’s a link to a bag load of links