ORGAN PREVIEW: Harry Adams and a series of large scale screen-print paintings and other works by the artist over three floors of a retro-futuristic art clinic in the heart of Mayfair, London…

COLLIDER double vision Flood, Work No.13S, 2021, screen ink on plywood panel, 150x200cm

Harry Adams- Collider part 3 (an installation) – The Clinic, Mayfair, London W1, 19th – 27th June

The third and final part of Harry Adams’ COLLIDER Project presents a series of largescale screen-print paintings, alongside prints, books and other works by the artist over  three floors of a retro-futuristic art clinic in the heart of Mayfair, London.

The screen-print paintings, some reminiscent of giant Rorschach inkblot tests, are made by layering, overlapping and inverting multiple painted and screen-printed motifs  depicting flooded lands and turbulent skies. Cultivating tensions between the organic aesthetics of painterly chaos and the systematic methodology of print-making, Harry Adams creates works brimming with the energy of fragmented worlds in collision.  Relishing human errors, and the tactile qualities of layered pigment, the overlayed  screen-pulls are used to construct new realms on the brink of pictorial calamity

Installed within the pristine whiteness of The Clinic, under the constant drone of an industrial ventilation system, oak saplings grown in the artist’s studio sit incongruously  in the sterile space on plinths that emit unearthly sounds – a soundtrack for the exhibition recorded by the artist(s). Themes of nature in revolt and dystopian science  fiction run throughout Adams’ work, alongside the tradition of romantic landscape  painting contrasted with process art: all riffing off a love of repetition and Warhol’s  ambition to “become a machine” in making paintings


The COLLIDER Project started with a fabricated hypothesis for an imagined art experiment by an invented art critic that lead to the creation of physical artworks “of great terror and beauty”: 86 screen-print paintings based on previous Harry Adams landscape oil paintings. Photographs of the earlier paintings were bitmapped and converted to silk-screens, transforming the works into cut-ups that could be overlaid  and reconfigured. These were made during lockdown and shown in an online exhibition COLLIDER part 1 (the exhibition)

This in turn lead on to COLLIDER part 2 (the book) double vision where the screenprint paintings were digitally manipulated: inverted, reflected and zoomed in on for a  book that can be viewed “frontways, backways, in a mirror or on a Zoom call”. The only words in the book are taken from a response to the images by a Native American, writing from her own cultural and spiritual perspective; citing her experiences at the  Standing Rock oil pipeline protests and indigenous people’s relationship to water and nature

The ‘double vision’ works in this book then formed the starting point for the large-scale paintings made for COLLIDER part 3 (an installation)

Conceived of and made during periods of lockdown, this exhibition is deliberately staged to straddle the last days of current Covid-19 related restrictions. The bright white light of The Clinic with its high-powered ventilation system and wipe-clean surfaces provides a futuristically “Covid-safe” environment for all visits


Harry Adams is the pseudonym used to present the collaborative paintings by the artists Adam Wood and Steve Lowe.

Born 1965 and 1966, East London and Slough. Lives and works in London and East Sussex. Studied at Derby, Southwark, Byam Shaw School of Art and University of Ulster. Lowe also founded and runs the L-13 Light Industrial Workshop.

They have been making paintings and prints together as Harry Adams since 2008 but have been collaborating on a wide array of other projects since they met at art school in the late 1980s.

L-13 Light Industrial Workshop, founded by Steve Lowe in 2003, is a creative platform, spiritual home and technical epicentre for a distinct group of artists including Jimmy Cauty, Billy Childish and Jamie Reid. L-13 develop projects both ambitious and diminutive, publish books, make prints and other artwork editions, convert impractical artistic visions to reality, promote a playful polemical spirit to irritate and delight. L-13 explores alternative viewpoints and radical strategies, never passively presenting art where more dynamic engagements can be implemented.

19th- 27th June 2021
12:30 – 6pm daily
Late opening and PV 25th June 6 – 9pm
Mayfair Art Weekend 25th – 27th June
56 Brook Street, London, W1K 5NE
Presented by the L-13 Light Industrial Workshop

do click on an image to enlarge,,

One thought on “ORGAN PREVIEW: Harry Adams and a series of large scale screen-print paintings and other works by the artist over three floors of a retro-futuristic art clinic in the heart of Mayfair, London…

  1. Pingback: ORGAN: Our pick of 2021’s Art Things – Deborah Roberts, The Factory Project, Rebel Dykes, New Art Projects, the KLF on Kingsland Road, Kate Bickmore, Sam Nicholson, Gavin Turk taking the piss, Eloise Govier, Pez, Nicola Hicks, Christopher Myer

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