Organ Thing of The Day – A quick one today, another taste of the forthcoming Liars album. ‘From What the Never Was’ is from the new album, The Apple Drop. The Apple drops on August 6th (sorry couldn’t resist the drop pun), now this latest taste has us thinking they’re back on form, this latest raste made ears pick up right way. Those Liars have always been one of the more rewarding bands out there, we had suspected their magical powers were fading, but… There has now been three tastes of the new album, the previous two are further down the page, here’s the latest…
According to Angus Andrew, and the press release that’s pasted here,“‘From What the Never Was’ is intended as a moment of recollection within the journey of The Apple Drop; a point that our traveller has reached which is far from the starting place, but also right back there in memory. The drum sound was appropriated from an old song called ‘We Fenced Other Gardens with the Bones of Our Own’. In that track, the protagonist is drunk on delusions of grandeur, relishing the power of destruction. Now far removed, that character is weary, remorseful.
In preparation for the video, I went back to the ‘Sekwar’ cave to map it three-dimensionally. Instructed by a digital artist in NYC (Dan Moore), I strapped a 360-degree camera to my head and paced the lengths of the cave’s interior. The resulting data was transformed into a wireframe model and featured as a hologram in ‘FWTNW’. The cave’s positioning right beneath another location manifests the premise of the song. You’re in the “same spot” but understanding it from a completely new perspective. My experience in revisiting that space alone was both psychologically informative and disturbing. The slow, methodical steps required to document the dark depths of the cave’s interior invited the company of bats and of fear.”
Director Clemens Habicht elaborates, “Angus and his crew are subjected to the traumas and melodramas of classic sci-fi tropes, brutalised by the sadism of scenes from films I think I was probably way too young to have seen as a kid. Only Liars would entertain and embrace my trepanning fantasies. Like any mission, this was only possible by the absolute commitment of everyone involved. Special thanks to DOP Tyson Perkins for signing up for another adventure, and to Beau and her team for their absolute generosity and excitement.”
The Apple Drop follows 2017’s TFCF and 2018’s Titles with the Word Fountain, both distinctly solo affairs, but for Liars’ 10th album, Angus chose to expand and embrace collaboration. “My goal was to create beyond my abilities – something bigger than myself.” The new album sees Angus working with avant-garde jazz drummer Laurence Pike, multi-instrumentalist Cameron Deyell and lyricist Mary Pearson Andrew.
For Angus, The Apple Drop comes from a personal place of realignment and reconfiguration. “Throughout Liars’ history I have consistently tried to develop new methods of creating music,” Angus says. “On each project I’ve essentially abandoned previous methods and attempted to instead learn different ways of writing and producing songs. Where once I perceived this journey as a straight line, I’m increasingly realising my trajectory is more akin to a spiral. As new ideas are generated, older ones take on new meaning and evolve further.”
There are not many bands that could make looking to the past feel futuristic, but here Liars have managed to create an entirely new world – sonically, thematically and lyrically – by doing just that.
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