This #43Artists group show was never intended to be an alternative during the current virus-avoiding lockdown and the lack of physical gallery shows and white walls and open doors and the noise of opening night gatherings that we’re already missing, on line shows have always been viewed as an addition to what we do at Cultivate, a side-serving if you will, a way to break out beyond London in terms of viewers, visitors and the artists invited to feature. #43Artists was something we were planning anyway.
#43Artists is the seventh on-line show from Cultivate and we think the 154th Cultivate show since that infamous Netll Market takeover here in East London back in the summer of 2011 that kicked it all off just before we opened that space in the middle of the very much missed Vyner Street (we think the number is something like 154 shows anyway, we might have missed on or two)..
This then is #43Artists, a carefully curated group show, there is no theme to #43Artists, the show is simply a case of Emma and I inviting some of our fellow artists or selecting (from the open call element of the show – open calls are an important part of what we do, new artistic blood must always flow, of the 41 invited artists, eight came in via an open call, the rest were by personal invite).
Please do try and view this on a proper sized computer screen rather than a tiny phone, please do use the links, and please do take care out there during these very strange times where it may feel a little trivial to be talking and sharing art, yet somehow it feels a little more important than it ever was – right now sharing positive creativity feels more important than ever, please do enjoy exploring the art, be well out there, take care and thank you. (sw).
Please click on an image to enlarge or to run the hopefully well “hung” slide show that should make you want to view it in the order it was put together
- 1: Cultivate presents #43ARTISTS, a group show curated by Sean Worrall and Emma Havey
- 2: AMY OLIVER – Smacker – Digital edit (model unknown) – transferred to 60x60cm canvas.
- 3: AMY OLIVER – Himatoma – Mannequin & digital edit – unique handmade print on 300gsm acid free paper & mounted on A3 5mm foam board
- 4: AMY OLIVER – Shut Up – Mannequin & digital edit printed onto 300gsm acid free paper for 30x30cm frame
- 5: SOFIA MARTINS GRAY – Wall Voice – Self-portrait, Polaroid.
- 6: SOFIA MARTINS GRAY – Of Metaphysics – self-portrait, Polaroid
- 7: SOFIA MARTINS GRAY – Self-portrait, Polaroid
- 8: SOFIA MARTINS GRAY – Self-portrait, Polaroid
- 9: SOFIA MARTINS GRAY – Corpse Concrete, self-portrait, Polaroid
- 10: DEB COVELL – Red Ribbon – Acrylic and Alkyd paint, 2017
- 11: DEB COVELL – Acrylic and Alkyd paint 2017
- 12: DEB COVELL – Acrylic and Alkyd paint
- 13: DEB COVELL – Acrylic and Alkyd paint
- 14: CALI REZO –
- 15: CALI REZO –
- 16: CALI REZO –
- 17: CALI REZO –
- 18: CALI REZO –
- 19: CALI REZO –
- 20: CALI REZO –
- 21: CALI REZO –
- 22: DEB COVELL – Acrylic and Alkyd paint
- 23: ZORAN CRNKOVIC – ‘Long Play America’, 2019 mixed media on canvas, 60″×30″ (150×75cm)
- 24: ZORAN CRNKOVIC – ‘Americana’, Acrylic on Canvas, 6×8 feet
- 25: ZORAN CRNKOVIC – ‘Americana’, Acrylic on Canvas, 6×8 feet
- 26: ZORAN CRNKOVIC – ‘Americana’, Acrylic on Canvas, 6×8 feet
- 27: ZORAN CRNKOVIC – “3,4,8”, acrylic on wood
- 28: ZORAN CRNKOVIC
- 29: ZORAN CRNKOVIC – “Auriverde”, Acrylic and aluminium on wood
- 30: ZORAN CRNKOVIC
- 31: AMY CROUCH – ‘Un-interrupted Circle’ 2018, Acrylic on canvas, 14.5 x 19 inches
- 32: AMY CROUCH – ‘Un-interrupted Circle’ 2018, Acrylic on canvas, 14.5 x 19 inches
- 33: AMY CROUCH – ‘Yellow over Pink’ 2018. Acrylic on canvas, 36 x 40 inches
- 34: AMY CROUCH – ‘Orange and Pink Interrupted Circles’, 2019. Acrylic on canvas, 51 x 47 inches.
- 35: AMY CROUCH – ‘Orange and Pink Interrupted Circles – Edit Three’, 2019. Acrylic on canvas, 51 x 47 inches
- 36: AMY CROUCH – Installation shot from Cultivate’s Nothing Is Square Pt. 2 group show at Shipton Street Gallery, East London, March 2020
- 37: AMY CROUCH – Installation shot from Cultivate’s Nothing Is Square Pt. 2 group show at Shipton Street Gallery, East London, March 2020
- 38: AMY CROUCH – Installation shot from Cultivate’s Nothing Is Square Pt. 2 group show at Shipton Street Gallery, East London, March 2020
- 39: EMMA HARVEY – Untitled 5 (2017) – 55cm
- 40: EMMA HARVEY – Installation shot, Cultivate at BSMT Space Gallery, London.
- 41: EMMA HARVEY – Untitled 2 (2016) – 55cm
- 42: EMMA HARVEY – Untitled 3 (2016) – 55cm
- 43: EMMA HARVEY – Untitled 12 (2018) – 55cm
- 44: EMMA HARVEY – Bikini kill No1 – oil on canvas, 20cm x 20cm, 2020
- 45: EMMA HARVEY – Bikini kill No2 – oil on canvas, 20cm x 20cm, 2020
- 46: EMMA HARVEY – Bikini kill – various canvas pieces, 20cm x 20cm, painted for the recent Cultivate group show Nothing is Square Pt2 – March 2020
- 47: EMMA HARVEY – Installation shot from Cultivate’s Nothing Is Square Pt. 2 group show at Shipton Street Gallery, East London, March 2020
- 48: SEAN WORRALL – “The Last Apple of The Year” (December 2019) – Acrylic on canvas, 20cm x 20cm
- 49: SEAN WORRALL – “An Apple That Didn’t Fall Out Of A West London Tree Until Autumn” (November 2019) – Acrylic on canvas, 20cm x 20cm
- 50: SEAN WORRALL – “The Camden Pomegranate” (June 2019), the ongoing matter of fruit, still life studies, quick paintings. Acrylic on canvas, 20 x 20cm
- 50a: SEAN WORRALL – “A Pear From Broadway Market (No. 2)” Feb 2020 – Acrylic on canvas, 20cm x 20cm
- 51: SEAN WORRALL – “An East London Apple No3” (May 2019) – The ongoing exploration of fruit, still life paintings. Acrylic on canvas, 20cm x 20cm.
- 52: SEAN WORRALL – “A leaf” – spray paint on found wood, Nomadic Community Gardens, Jan 2019
- 53: SEAN WORRALL – “Leaves” – spray paint on found wood, Nomadic Community Gardens, Jan 2019
- 54: SEAN WORRALL – “Leaves” – spray paint on found wood, Nomadic Community Gardens, Jan 2019
- 54a: SEAN WORRALL – #43Leaves – 6/43 September 2019 – A leaf painted on a found piece of wood and left hanging on a wall in London for someone to just take
- 54b: SEAN WORRALL – #43Leaves – 6/43 September 2019 – A leaf painted on a found piece of wood and left hanging on a wall in London for someone to just take
- 55: YULIA ROBINSON – Painting detail.
- 56: YULIA ROBINSON – Painting detail
- 57: YULIA ROBINSON – Gardens – Acrylic on canvas, 150x120cm
- 58: YULIA ROBINSON – Painting detail
- 59: YULIA ROBINSON
- 60: YULIA ROBINSON – Painting detail
- 61: YULIA ROBINSON – Painting detail
- 62: YULIA ROBINSON –
- 63: YULIA ROBINSON – Painting detail
- 64: JAMES JOHNSTON – “Party hat”.Acrylic and gold paste on 40cm x 30cm canvas
- 65: JAMES JOHNSTON – “Detention Centre”. Acrylic and gold paste on 76cm x 61cm canvas
- 66: JAMES JOHNSTON – ‘The Reading Room’. Acrylic on 70cm x 50cm canvas.
- 67: JAMES JOHNSTON – “Quarantine” – Acrylic on 80cm x 60cm canvas.
- 68: JAMES JOHNSTON – “Doctor with stick”.12″ x 8″. 2017. Gouache and pastel on paper.
- 69: JAMES JOHNSTON -‘The dumb room / self portrait as red monkey devil’,12″ x 16.5″. 2017. Pastel and gouache on paper.
- 70: JAMES JOHNSTON – “Empty chair. Lambeth North”, 12″ x 8″. 2017, pastel and gouache on paper.
- 71: JAMES JOHNSTON – ‘I opened my eyes, Joe. The night had been a giant, dribbling and pacing the boards.’. A larger painting RECENTLY included in a show CALLED: ‘Words that transform, vibrate and glow: 13 paintings inspired by the lyrics of Nick Cave’, that happened at Charlie Smith Gallery in London back in January 2020.
- 72: JANE DENMAN – “We Are All Crew”, acrylic on canvas, 76 x 56cm.
- 73: JANE DENMAN – “Social Media Dance”, acrylic on canvas, 76 x 56cm
- 74: JANE DENMAN – “The Influencer”, acrylic on canvas, 76 x 56cm
- 76: JANE DENMAN – “A Wallaby Turned Up in my Studio”, acrylic on canvas, 30 x 40cm
- 77: JANE DENMAN – – “If Not Now When”, acrylic on canvas, 76 x 56cm
- 78: JOHN GATHERCOLE – At Home With The Nobodies – Oil on canvas, 2020, 60 x 50cm
- 79: JOHN GATHERCOLE – In The Cold Light Of Decay, Oil on canvas, 2020, 60 x 50cm
- 80: JOHN GATHERCOLE – Lost In The Forest of Echoes, Oil on canvas, 2020, 60 x 50 cm
- 81: JOHN GATHERCOLE – Junos Big Day Out, Oil on canvas, 2020, 60 x 50 cm
- 62: KELLY SWEENEY – From the series “11 Small Works on Paper”. Mixed Series 2014 28x38cm.Acrylic and Collage on Fabriano Archival Paper
- 83: KELLY SWEENEY – From the series “11 Small Works on Paper”. Mixed Series 2014 28x38cm.Acrylic and Collage on Fabriano Archival Paper
- 84: KELLY SWEENEY – From the series “11 Small Works on Paper”. Mixed Series 2014 28x38cm.Acrylic and Collage on Fabriano Archival Paper
- 85: KELLY SWEENEY – From the series “11 Small Works on Paper”. Mixed Series 2014 28x38cm.Acrylic and Collage on Fabriano Archival Paper
- 86: KELLY SWEENEY – From the series “11 Small Works on Paper”. Mixed Series 2014 28x38cm.Acrylic and Collage on Fabriano Archival Paper
- 97: KELLY SWEENEY – From the series “11 Small Works on Paper”. Mixed Series 2014 28x38cm.Acrylic and Collage on Fabriano Archival Paper
- 88: KELLY SWEENEY – From the series “11 Small Works on Paper”. Mixed Series 2014 28x38cm.Acrylic and Collage on Fabriano Archival Paper
- 89: KELLY SWEENEY – From the series “11 Small Works on Paper”. Mixed Series 2014 28x38cm.Acrylic and Collage on Fabriano Archival Paper
- 91: MÁRTON NEMES – Ghosting Love 05 (He), 2019, Acrylic on canvas, mirror board, light reflective vinyl, laser cut plexiglass, carpaint, foamex pvc, wood, 162 x 122 cm
- 92: MÁRTON NEMES – Ghosting Love 05 (She), 2019, Acrylic on canvas, mirror board, light reflective vinyl, laser cut plexiglass, carpaint, foamex pvc, wood, 162 x 122 cm
- 93: MÁRTON NEMES – Ghosting Love 06 , 2019, Acrylic on canvas, mirror board, light reflective vinyl, laser cut plexiglass, carpaint, foamex pvc, wood, 70 x 48cm
- 94: MÁRTON NEMES – New Tomorrow 08, 2019, Acrylic on canvas, mirror board, light reflective vinyl, laser cut plexiglass, carpaint, foamex pvc, steel, wood, 130 x 90cm
- 95: MÁRTON NEMES – New Tomorrow 10, 2019, Acrylic on canvas, mirror board, light reflective vinyl, laser cut plexiglass, carpaint, foamex pvc, steel, wood, 130 x 90cm
- 96: MÁRTON NEMES – New Tomorrow 33, 2019, Acrylic on canvas, mirror board, light reflective vinyl, laser cut plexiglass, carpaint, foamex pvc, steel, wood, 130 x 90cm
- 97: MÁRTON NEMES – F.O.M.O. (Fear of Missing Out) 01, 2019, Acrylic on silk-screened paper, mirror board, light reflective vinyl, PVC foam board, car paint, and steel frame made by the artist, 134 x 94cm
- 98: MÁRTON NEMES – F.O.M.O. (Fear of Missing Out) 02, 2019, Acrylic on silk-screened paper, mirror board, light reflective vinyl, PVC foam board, car paint, and steel frame made by the artist, 134 x 94cm
- 99: ANDREW HORNETT: Ceiling (Cloud Storage) 2019 ongoing – plastic bottles, found objects
- 100: ANDREW HORNETT: Ceiling (Cloud Storage) 2019 ongoing – plastic bottles, found objects
- 101: ANDREW HORNETT: Rejuvenation 2018 – plastic bottles, plastic bags
- 102: ANDREW HORNETT: Rejuvenation 2018 – plastic bottles, plastic bags
- 106: ANA LIPPS – “No One(s) Time Is The Same – Interactive Installations
- 107: ANA LIPPS – “No One(s) Time Is The Same – Interactive Installations
- 108: ANA LIPPS – “No One(s) Time Is The Same – Interactive Installations
- 109: SUZIE PINDAR (aka The Naked Artist)
- 110: SUZIE PINDAR (aka The Naked Artist)
- 111: SUZIE PINDAR (aka The Naked Artist)
- 112: SUZIE PINDAR (aka The Naked Artist)
- 113: QUIET BRITISH ACCENT – ‘Is Art Ruining Money?’Pre-decimal pennies and enamel paint on canvas, 20cm x 20cm (2020).
- 114: QUIET BRITISH ACCENT – ‘Is Art Ruining Money?’Pre-decimal pennies and enamel paint on canvas, 20cm x 20cm detail (2020).
- 115: QUIET BRITISH ACCENT – ‘Installation shot, “Wish You Weren’t Here” at Elements Gallery, London, 2017
- 116: QUIET BRITISH ACCENT – ‘Installation shot, “Wish You Weren’t Here” at Elements Gallery, London, 2017
- 117: CHRISTINE CALOW – JAISALMER, Hand pulled silkscreen print, 50 x 50cm
- 118: CHRISTINE CALOW – INDIAN IMAGES NO.3. Hand pulled silkscreen print with collaged paper, 53 x 53cm
- 119: CHRISTINE CALOW – UDAIPUR NO.1, Printed and collaged paper, 31 x 33cm
- 120: CHRISTINE CALOW – INDIAN IMAGES NO.1. Hand pulled silkscreen print (unique) 53 x 53cm
- 121: CHRISTINE CALOW – PINK CITY, Printed and collaged paper, 44 x 46cm.
- 122: BEN FENTON – YOU ARE BEAUTIFUL (BOTTLE ALLEY. HASTINGS), 2020 – Watercolour and biro on cardboard
- 123: BEN FENTON – THE LAST PALE LIGHT IN THE WEST (BOTTLE ALLEY. HASTINGS), 2020, Oil on canvas
- 124: BEN FENTON – I SHALL LOVE YOU FROM A DISTANCE (THE OBSERVER BUILDING. HASTINGS), 2020, Watercolour and biro on cardboard
- 125: BEN FENTON – DEATH AND BEAUTY (THE HIGH LIGHT TOWER. DUNGENESS), 2019-2020, Oil on canvas
- 126: BEN FENTON – BLACK / NOT BLACK NO. 06 (NET SHEDS. HASTINGS), 2020, Oil on canvas
- 127: TIM GOFFE – Empty shop with sign removed, Oil on Panel, 24 x 20cm
- 128: TIM GOFFE – City Gas Station, Oil on Panel, 45 x 60cm
- 129: TIM GOFFE – Petrol Station Nocturne, Oil on Canvas 20 x 20cm
- 130: TIM GOFFE – Find it, love it, buy it.- Oil on Canvas, 65 x 85cm
- 131: HANNAH JEAN MOULDS – installation / sculpture
- 132: HANNAH JEAN MOULDS – installation / sculpture
- 133: HANNAH JEAN MOULDS – installation / sculpture
- 134: 131: HANNAH JEAN MOULDS – installation / sculpture
- 135: HANNAH JEAN MOULDS – installation / sculpture
- 136: HANNAH JEAN MOULDS – installation / sculpture
- 137: HANNAH JEAN MOULDS – installation / sculpture
- 138: ANA LIPPS – “Leaking Realities” – Outdoor Collaborative Installation with Minnow Carty. Door, Door Frame, Water Tank, 250 x 80 x 100 cm
- 139: ANA LIPPS – Interactive Installation
- 140: ROBERT C.GRAY – Thrives best in acidity’ at the 2019 Creekside Open
- 141: ROBERT C.GRAY – Thrives best in acidity’ at the 2019 Creekside Open
- 142: ROBERT C.GRAY – Thrives best in acidity’ at the 2019 Creekside Open
- 143: ROBERT C.GRAY – Thrives best in acidity’ at the 2019 Creekside Open
- 144: HELEN RAWLINS
- 145: HELEN RAWLINS – “Group” – Acrylic on paper, A3
- 146: HELEN RAWLINS – Group” – Acrylic on canvas, 20cm x 20cm
- 147: HELEN RAWLINS – Group” – Acrylic on canvas, 20cm x 20cm
- 148: HELEN RAWLINS – Group” – Acrylic on canvas, 20cm x 20cm
- 149: CATHERINE HALL – “My Sky 0,000,000,003” – Oil on canvas, 20cm x 20cm
- 150: CATHERINE HALL – “Your Sky; My Sky – Karen M’s sky”, 45cm x 65cm – oil on canvas
- 151: CATHERINE HALL – “My Sky 0,000,000,002” – Oil on canvas, 20cm x 20cm
- 152: CATHERINE HALL – “My Sky 0,000,000,005” – Oil on canvas, 20cm x 20cm
- 153: DEBORAH BUTLER – “Abersoch Beach”, oil on canvas, 60x60cm
- 154: DEBORAH BUTLER – “Coast Road”, oil on canvas 80x40cm
- 155: DEBORAH BUTLER – “Coastal Path”, oil on canvas, 30x30cm
- 156: DEBORAH BUTLER – “Townscape”, oil on canvas 120x80cm
- 157: DEBORAH BUTLER – “Woods”, oil on canvas, 30x30cm
- 158: TONY ANTROBUS – “Untitled”, Oil on canvas, 35 x 25cm
- 159: TONY ANTROBUS – “Untitled”, Oil on canvas, 50 x 40cm
- 160: TONY ANTROBUS – “Untitled”, Oil on canvas, 30 x 25cm
- 161: TONY ANTROBUS – “Untitled”, Oil on canvas, 60 x 50cm
- 162: TONY ANTROBUS – “Untitled”, Oil on canvas, 60 x 50cm
- 163: TOM OF BRIGHTON – Oil on board,
- 164: TOM OF BRIGHTON – Oil on board,
- 165: TOM OF BRIGHTON – “#52” – Oil on board,
- 166: TOM OF BRIGHTON – “#45” – Oil on board,
- 167: TOM OF BRIGHTON – “#29” – Oil on board, 40cm x 30cm
- 168: NECTARIOS STAMATOPOULOS – Abstract 002
- 169: NECTARIOS STAMATOPOULOS – Bias
- 170: NECTARIOS STAMATOPOULOS – Landmark
- 171: NECTARIOS STAMATOPOULOS – Visual Aids
- 172: PAUL SAKOILSKY – Psychomagikal
- 173: PAUL SAKOILSKY – The Dark Times
- 174: PAUL SAKOILSKY – The Dark Times
- 175: PAUL SAKOILSKY – The Good Times
- 176: PAUL SAKOILSKY – oil on canvas
- 177: GERALDINE SWAYNE – Fire Has its Own Weather (2020), enamel and acrylic on board, 90x120cm
- 178: GERALDINE SWAYNE – ‘Burnt Orange Background’ (2020), acrylic on board, 40x52cm
- 179: GERALDINE SWAYNE – ’Electronica’ (2020), Oil and acrylic on canvas 76x101cm
- 180: GERALDINE SWAYNE – Roz’ (2020). Enamel on canvas, 61x46cm
- 181: GERALDINE SWAYNE – ‘Bad Servant’ (2020), Oil on canvas 91.5x121cm
- 182: ROSEMARY JANE CRONIN – ‘O’, 5ft x 2ft, House gloss paint on found image
- 183: ROSEMARY JANE CRONIN – ‘Rent’ gold leaf on magazine page (at Transition Gallery, East London)
- 184: ROSEMARY JANE CRONIN – ‘Rent’ gold leaf on magazine page (at Transition Gallery, East London)
- 185: ROSEMARY JANE CRONIN – ‘Rent’ gold leaf on magazine page
- 186: ROSEMARY JANE CRONIN – ‘Ursula Walking Off Set’, Clay and 1960s Boots. Exhibited at ‘Won’t You Please’, Solo Show at Gerald Moore Gallery
- 187: GIRL SHIT – ‘GIRL NEWS’ A4 Giclee Print
- 188: GIRL SHIT – ‘LETS BE BEAUTIFUL’ A4 Giclee Print
- 189: GIRL SHIT – ‘STOP LOOK & LISTEN’ A4 Giclee Print.
- 190: GIRL SHIT – ‘WHAT WOMEN REALLY WANT’ A4 Giclee Print
- 191: GIRL SHIT – Collage
- 192: GIRL SHIT – Collage
- 193: GIRL SHIT – Collage
- 194: GIRL SHIT – Collage
- 195: GIRL SHIT – Collage
- 196: GIRL SHIT – Collage
- 197: KELDA STORM – Studio shot, screen print screen, work in progress.
- 198: KELDA STORM – “Vintage advertising x lips” – Screenprint monoprint. 50x70cm
- 199: KELDA STORM – “Not My Type” – Screenprint on canvas 20cm x 20cm
- 200: KELDA STORM – “Not My Type”
- 201: KELDA STORM – “Lips X #1”, Screenprint monoprint. 50×70 cm
- 202: KELDA STORM – “Lips X #2”, Screenprint monoprint. 50×70 cm
- 203: KELDA STORM – “Lips X #3”, Screenprint monoprint. 50×70 cm
- 204: KELDA STORM – Louise Brooks (pink), screenprint, Edition of 3, 50x70cm
- 205: KELDA STORM – “Stand There And Look Pretty” – Monoprint Series .(each print is individual)
- 206: KELLY SWEENEY – A still from one of her films
- 207: KELLY SWEENEY – A still from one of her films
- 208: SAL JONES – “Being A Man”, Oil on canvas, 40 x 40cm, 2020
- 210: SAL JONES – “Look Again”, Oil on canvas, 30 x 30cm, 2020
- 211: SAL JONES – “Modus Operandi”, Oil on canvas, 80 x 100cm. 2020
- 212: SAL JONES – “Open Up”, Oil on canvas, 40 x 56cm, 2019
- 213: MATT ATKINS – Gestural Variant 1, Acrylic and paper on canvas, 20x20cm
- 214: MATT ATKINS – Gestural Variant 2, Acrylic and paper on canvas, 20x20cm
- 215: MATT ATKINS – Internal Logic 1, Acrylic and paper on canvas, 20x20cm
- 216: MATT ATKINS – Internal Logic 2, Acrylic and paper on canvas, 20x20cm
- 217: MATT ATKINS – Internal Logic 3, Acrylic and paper on canvas, 20x20cm
- 218: MARY T.SPENCE – “Untitled” – acrylic and gesso on canvas (2018)
- 219: MARY T.SPENCE – ‘Homage’, acrylic and oil on paper, 38cm x 56cm (2017)
- 220: MARY T.SPENCE – ‘Homage’ (detail), acrylic and oil on paper, 38cm x 56cm (2017)
- 221: MARY T.SPENCE – ‘Homage’ (detail), acrylic and oil on paper, 38cm x 56cm (2017)
- 222: MARY T.SPENCE – No Quarter, acrylic, tissue and oil on canvas, 20cm x 20cm
- 223: MARY T.SPENCE – Bloom IV, oil on canvas, , 20cm x 20cm
- 224: MARY T.SPENCE –
- 225: AMY CROUCH
- 226: LAURA JAYNE LUNDY – Swings and Roundabouts, Oil On Canvas, (43x58cm)
- 227: LAURA JAYNE LUNDY – Somewhere, There’s Blue, Oil On Canvas (50x50cm)
- 228: LIZ GRIFFITHS – Shoreditch Park 1, Mixed media on plywood, 19.5 x 24cm
- 229: LIZ GRIFFITHS – Shoreditch Park 2, Mixed media on plywood, 19.5 x 24cm.
- 230: LIZ GRIFFITHS – Shoreditch Park 3, Mixed media on plywood, 19.5 x 24cm.
- 231: LIZ GRIFFITHS – Routemap(s), Mixed media on canvas, 20cm x 20cm (installation shot from Cultivate’s Nothing is Square Pt.2 ahow, East London, March 2020)
- 232: LIZ GRIFFITHS – Routemap(s), Mixed media on canvas, 20cm x 20cm (installation shot from Cultivate’s Nothing is Square Pt.2 ahow, East London, March 2020)
- 233: MUHAN JIANG – Sculpture installation shot.
- 234: MUHAN JIANG – Sculpture installation shot.
- 235: MUHAN JIANG – Sculpture installation shot.
- 236: MUHAN JIANG – Sculpture installation shot.
- 237: MUHAN JIANG – Sculpture installation shot.
- 238: MARKETA SENKYRIK – “I Like to CU Dance” Ink, mixed media on paper and wall, (2019-20)
- 239: MARKETA SENKYRIK – “I Like to CU Dance” Ink, mixed media on paper and wall, (2019-20)
- 240: MARKETA SENKYRIK – “I Like to CU Dance” Ink, mixed media on paper and wall, (2019-20)
- 241: MIA JANE HARRIS – Sculpture pieces at the recent Cultivate show “Insert (Title Here), East London, March 2020
- 242: MIA JANE HARRIS – Sculpture pieces at the recent Cultivate show “Insert (Title Here), East London, March 2020
- 243: MIA JANE HARRIS – Sculpture pieces at the recent Cultivate show “Insert (Title Here), East London, March 2020
- 244: MIA JANE HARRIS – Sculpture pieces at the recent Cultivate show “Insert (Title Here), East London, March 2020
- 245: MONSUR AWOTUNDE – “While it’s hot 1” (2018), Collage and Acrylic on Canvas, 48×44 inches
- 246: MONSUR AWOTUNDE – “Red Land” (2017), Acrylic on Canvas, 56×64 inches.
- 247: MONSUR AWOTUNDE – “Night as Day” (2018), Acrylic on Canvas 56×64 inches
- 248: MONSUR AWOTUNDE – “About Lokoja” (2019), Collage and Acrylic on Canvas. 51×48 inches
- 249: MONSUR AWOTUNDE – “While it’s hot 2” (2018), Collage and Acrylic on Canvas, 48×44 inches
- 249a: SEAN WORRALL – “Counting (No3) – Acrylic on canvas, 20cm x 20cm
- 250: SEAN WORRALL – “Margate skyline No.9 (The Turner Contemporary)” – March 2020 – acrylic on canvas, 20cm x 50cm
- 251: SEAN WORRALL – “London Skyline – Across The Thames No2” (December 2019) – Acrylic on canvas, 20cm x 20cm.
- 252: SEAN WORRALL – London Skyline – The National Theatre” (Dec 2019) – Acrylic on canvas, 20cm x 20cm
- 253: SEAN WORRALL – London Skyline – St.John Of Moulins Road, E9 (No. 2)” – December 2019 – Acrylic on canvas, 20cm x 20cm
- 254: SEAN WORRALL – London Skyline – The Southbank from Waterloo Bridge (No1)” – January 2020, acrylic on canvas, 20cm x 20cm
- 255: SEAN WORRALL – London Skyline – The Southbank From Waterloo Bridge (No. 2) – March 2020, acrylic on canvas, 50cm x 20cm
- 256: SEAN WORRALL – Margate skyline No.8 (The Turner Contemporary) – October 2019 – acrylic on canvas, 40cm x 40cm
THE ALL IMPORTANT LINKS TO THE ARTISTS (in alphabetical order)
AMY CROUCH
AMY OLIVER
ANA LIPPS
ANDREW HORNETT
BEN FENTON
CALI REZO
CATHERINE HALL
CHRISTINE CALOW
DEB COVELL
DEBORAH BUTLER
EMMA HARVEY
GERALDINE SWAYNE
GIRL SHIT
HANNAH JEAN MOULDS
HELEN RAWLINS
JAMES JOHNSTON
JANE DENMAN
JOHN GATHERCOLE
KELDA STORM
KELLY SWEENEY
LAURA JAYNE LUNDY
LIZ GRIFFITHS
MARKETA SENKYRIK
MARTON NEMES
MARY T SPENCE
MATT ATKINS
MIA-JANE HARRIS
MONSUR AWOTUNDE
MUHAN JIANG
NECTARIOS STAMATOPOULOS
PAUL SAKOILSKY
QUIET BRITISH ACCENT
ROBERT C.GRAY
ROSEMARY JANE CRONIN
SAL JONES
SEAN WORRALL
SOFIA MARTINS GRAY
SUZIE PINDAR
TIM GOFFE
TOM OF BRIGHTON
TONY ANTROBUS
YULIA ROBINSON
ZORAN CRNKOVIC
Some beautiful work here. A really cool scene. I can’t wait to get involved when we move down (as soon as all this sh*t is over….). Thanks for putting on the show.
Pingback: ORGAN: Six slices of new music to check out – The Krautrock flavours of Attraktors, Weasel Walter, Quest Ensemble, John Carroll Kirby, Martin Bisi, the avant pop of Thomas Azier and… | THE ORGAN
Pingback: #43Artists, curating, painting… – Sean Worrall
Pingback: ORGAN: Six more slices of new music to check out – Hollow Ship, Ben Lukas Boysen, Manchester’s rather wired Blanketman, more Martin Basi, more Supermilk, Lorenzo Senni and some classic Tribe 8… | THE ORGAN
Pingback: ORGAN: Five Recommended (on-line) Art Things – Yoon Hyup at StolenSpace, James Irwin at Annka Kultys Gallery, Cultivate’s #43Artists, Jakob Kudsk Steensen, Sarah Lucas at Sadie Coles… | THE ORGAN
Pingback: New Skyline pieces, postcard sized paintings, new on-line shows, the #ArtistSupportPledge and taking it a little further… – Sean Worrall
Pingback: ORGAN PREVIEW: Band of Holy Joy’s Echo of a Memory on ResonanceFM, and one week on from the opening of #43Artists and over 35,000 views so far, have you had a look? | THE ORGAN
Pingback: ORGAN: Five new musical things to explore – Roly Porter, Public Body’s new wave, Nick Pynn’s folk flavours, classical pianist Hania Rani, avant-garde percussionist Tatsuya Nakatani, Tasty Granny and… | THE ORGAN
Pingback: ORGAN THING: Art on a Postcard’s podcast series with Ben Edge, Patrick Hughes, Donata Wenders and more. Meanwhile what next from Cultivate after the crowds for #43Artists? | THE ORGAN
Pingback: ORGAN THING: From Isolation is a series of collaborations from Trestle Records as a reaction to the self-isolation, hear the first two releases here, the third, featuring James Johnston, Ross Downes and Keeley Forsyth is out later this week… | THE O
Pingback: ORGAN: Five new musical things to explore – Thee MVPs, Sex Swing, the rather radiant Silver Field, André Obin and Sun Spot running up that hill… | THE ORGAN
Pingback: A thought or two on the submission process and the nature of our latest open call… | CULTIVATE... Artists doing it our way
Pingback: ORGAN: Five more musical things – Ohyung, Charlie Looker’s Nothing Human, Beach Comber, a delicious Resina remix, White Boy Scream and some Psychic Graveyard… | THE ORGAN
Pingback: ORGAN THING: Tijuana Hercules have a new album out today, this is John Forbes’, the singer and guitarist of Mount Shasta, new band… | THE ORGAN
Pingback: 13 QUESTIONS FROM ORGAN: The artist known as Girl Shit… | THE ORGAN
Pingback: Girl Shit answers those 13 Questions. Meanwhile turmoil and rudeness and open call crap and…. | CULTIVATE... Artists doing it our way
Pingback: Zooming around, viewing art virtually, far from the turmoil, can we ‘meet’ on line, does it work for you? | CULTIVATE... Artists doing it our way
Pingback: ORGAN: Five Recommended Art Things – Inside-Outside Part 2, Rowdy, Dscreet and co via BSMTspace, Richard Cartwright at John Martin Gallery, (Far from the) Turmoil, Gordon Dalton at Aleph Contemporary… | THE ORGAN
Pingback: ORGAN THING: Artist James Johnston, a studio film and a Q&A with Don’t WALK wALK gallery… | THE ORGAN
Pingback: ORGAN THING: Opening here on Thursday evening, (Far from the)Turmoil, another carefully Cultivated art exhibition… | THE ORGAN
Pingback: Opening on Thursday evening, 8pm UK time, Thursday 14th May…. | CULTIVATE... Artists doing it our way
Pingback: (Far from the) Turmoil, art does not stop… – Sean Worrall
Pingback: (And with good) Reason will open on June 18th, the third in a series of three on-line group shows during this time of lockdown, the artist call is now open… | CULTIVATE... Artists doing it our way
Pingback: This Tursday night’s opening then, bring your own beer and computer monitor, don’t you dare use one of those little phones, get it on the big screen now… | CULTIVATE... Artists doing it our way
Pingback: The full artist line up for the (And with good) Reason show that open’s tomorrow night, looks like this… | CULTIVATE... Artists doing it our way
Pingback: ORGAN PREVIEW: Opening tomorrow night, (And with good) Reason show, a third carefully Cultivated art show during these strange locked down times… | THE ORGAN
Pingback: How have we been spending our Cultivate lockdown? | CULTIVATE... Artists doing it our way
Pingback: A new open call? Another on line show? Why? Well we’ll go into all that later, for now here’s the details in terms of the actual open call… | CULTIVATE... Artists doing it our way
Pingback: ORGAN THING: There has now been eleven on-line art exhibitions from Cultivate, view them all here… | THE ORGAN
Pingback: ORGAN: Five Recommended Art Things – Márton Nemes at Fold, Perishable Rush at BSMT Space, Tracey Emin at White Cube, Soozy Lipsey at Nelly Duff, Jennifer Packer, Fergus Hare… | THE ORGAN
Pingback: kicking off the new year, a new open call, an invite to recultivate… | CULTIVATE... Artists doing it our way
Pingback: ORGAN THING: Coming up, in an attempt to kick off 2021 in the best way we can, a new art show. We will be hosting the next Cultivate on-line art exhibition on these ever busy Organ pages… | THE ORGAN
Pingback: ORGAN PREVIEW: Self, the forthcoming on-line exhibition from Cultivate Gallery , a show of carefully cultivated self portraits, opens on February 23rd… | THE ORGAN
Pingback: ORGAN PREVIEW: Self, the forthcoming on-line exhibition from Cultivate Gallery, a show of carefully cultivated self portraits, opens on February 23rd… | CULTIVATE... Artists doing it our way
Pingback: And so the day of the Self show is upon us, here’s a small taste of what you might espect… | CULTIVATE... Artists doing it our way
Pingback: ORGAN THING: Monsur Awotunde and a solo show, Moving Entities, bold paintings, paintings with roots, exciting paintings, opening tonight… | THE ORGAN
Pingback: Recent Cultivate regular Monsur Awotunde has a solo show opening tonight – bold paintings, paintings with roots, exciting paintings… | CULTIVATE... Artists doing it our way
Pingback: ORGAN THING: Tomorrow13, a piece by one of our favourite Artists Márton Nemes, is officially part of the Ludwig Museum collection… | THE ORGAN
Pingback: Coming next then, Next, the next on-line | CULTIVATE... Artists doing it our way
Pingback: And so Saturation opened a week ago – some thoughts on this year’s shows, the next shows, on-like shows, the attitude of Arts Council, engagement and… | CULTIVATE... Artists doing it our way
Pingback: ORGAN PREVIEW: Three on-line art shows to checkout today, Aileen Murphy via Amanda Wilkinson Gallery, Januario Jano via Kristin Hjellegjerde Gallery, Sara Flores via White Cube… | THE ORGAN
Pingback: And so the 21st Cultivate on-line show opened 24 hours ago, it does kind of feel like online shows is all we do now, but we really are working on other things behind the scenes here and… | CULTIVATE... Artists doing it our way
Pingback: Burst in April? The Electric Art Car Boot Fair in May, and we can whisper that we just secured a… | CULTIVATE... Artists doing it our way
Pingback: ORGAN PREVIEW: Burst, the latest monthly on-line art exhibition from Cultivate will open here on these pages this Tuesday evening, April 26th… | THE ORGAN